An Analysis of The Word Police In Michiko Kakutanis judge, The Word Police, the designer uses utilisations, illustrations and definitions to reinforcer the claim that our language is on the brink of absurdity because we cloud our true identities and inequalities with euphemisms. In regard to euphemisms, Kakutani states that they tend to remove charge from the real problems of prejudice and injustice in c eitherer (423). Although the essay is persuasive and supported well, the author falls scam of persuading her honest hearing because of repetitive and tedious criticisms of the politically lay out movements. Her ground lacks absolution in her failure to provide her audience with an selection solution. Kakutani opens with the claim the political rightness is prevalent in society today. For support she uses several examples of icons that are being redeveloped to abide the ontogenesis demand for P.C. These include Little Miss Coppertone, who depart before long h ave a male equivalent, and Superman, who ordain come in four new flavors. In development these familiar, mainstream products, Kakutani sways the audience in her direction while consolidating her claim. She also makes us aware of her crime to politically correct movements with the use of her caustic remark in renovating the address Miss and Superman. The author then discusses a more appreciable issue, that of the controversy over our language. Political correctness defined by Kakutani as a vision of a more just, inclusive society in which racism, sexism and prejudice of all sorts have been erased, (421) has cheeseparing intent, but the methods used by politically correct activists to reach out their goals are too extreme. This, in turn, will just bakshish to the scorn of conservative opponents and the fraudulence of cartoonists and late-night television hosts (421). To validate her claim, Kakutani uses the example of a woman ever-changing testimony to... If you want to get! at a secure essay, order it on our website: OrderCustomPaper.com
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